By Nicholas Thoburn
A severe and provocative exploration of the political, conceptual and cultural issues of resonance among Deleuze's minor politics and Marx's critique of capitalist dynamics, enticing with Deleuze's lacking paintings, The Grandeur of Marx.
This e-book explores the middle different types of communism and capital along with a wealth of up to date and old political options and hobbies - from the lumpenproletariat and anarchism, to Italian autonomia and Antonio Negri, immaterial labour and the refusal of labor. This booklet will function an creation to Deleuze's politics and the modern power of Marx for college students and may problem students within the fields of social and political idea, sociology and cultural reviews.
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Extra info for Deleuze, Marx and Politics
66 The 1impenpro1etariat and the proletarian iinnamahle Tin liimpenproItariat and the prolctarian i,,iiiaiia b/c the proletariat is a self-overcoming, beyond the comic and the tragic: the production of something new entails a dramatic repetition which excludes even the hero’ (Deleuze 199-ia: 92). It is in this context that we can understand Deleuze and Guattari’s (ATP: 472) proposition that the proletariat is the universal plane of minor politics. Once we follow Marx’s injunction to base politics in an analysis of capital and its mutations which can be seen as precisely Deleuze and Guattari’s (A, ATP) project in Capitalism and Schizophrenia we can enrich Marx’s general sense of ‘work’ to include the wealth of relations, attributes, and affects of which contemporary global social production is composed.
Such confusion has led some more recent theorists influenced by psychoanalytic and poststructuralist frameworks to posit the lumpen proletariat not as a social group, but as the irruption of heterogeneity in Marx’s conceptual system. In a fascination’repulsion account of lumpen decrepit excess Andrew Parker (1993) suggests that in Marx’s lumpen proletariat we see the ‘(de)structuring effects of eroticism’ (23) and a repressed ‘economy of anal pleasures’ (34) between Marx and Engels. And Peter Stally brass (1990) uses psychoanalytic frameworks to argue that Marx composes the purity of the dialectic through the spectacle of lumpen heterogeneity.
Marx thus presents machine-intensive production when the machine comes into its own in what he calls ‘real subsumption’ as a vast ‘automaton consisting of numerous mechanical and intellectual organs’ (Marx 1973a: 692), where the ‘automaton’ is the capitalist socius as a whole. The crucial point about the capitalist socius is that, unlike all previous modes of production which sought to conserve a set of relations and identities, it operates ‘Constant revolutionising of production, uninter through conitant change rupted disturbance of all social conditions’ as it seeks to continuously maximize surplus value in a process of production for production’s sake (Marx and Engels 1973: 36).
Deleuze, Marx and Politics by Nicholas Thoburn